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С добрым утром!
Mar. 5th, 2016 08:08 amТурецкий берег.
Mar. 5th, 2016
Эти фонды не иссякнут никогда
Mar. 5th, 2016 11:48 amКох Альфред
1. Всю нелегальную торговлю оружием контролирует ФСБ. Это ясно. Все последние аресты агентами ФБР российских торговцев это выявили.
2. После запрета легальных казино, открылось много нелегальных. Все они находятся "под крышей" ФСБ. Это тоже - секрет Полишинеля.
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1. Всю нелегальную торговлю оружием контролирует ФСБ. Это ясно. Все последние аресты агентами ФБР российских торговцев это выявили.
2. После запрета легальных казино, открылось много нелегальных. Все они находятся "под крышей" ФСБ. Это тоже - секрет Полишинеля.
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И удобно и красиво.
Mar. 5th, 2016 01:13 pmОригинал взят у ![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
d_anatolich в И удобно и красиво.
d_anatolich в И удобно и красиво.Была у меня уже как-то тема про хранение лука. Дали много полезных и хороших советов, за что огромное спасибо. Сегодня решил ее развить и сделал небольшую подборку удобных и практичных способов хранения овощей на кухне.
( Смотреть дальше... )
( Смотреть дальше... )
Бумажные скульпторы Daniele Papuli
Mar. 5th, 2016 03:35 pmDaniele Papuli was born in 1971 at Maglie, Puglia, Italy.
After graduating in Sculpture at the Accademia di Belle Arti di Brera, he settled in Milan where he still works. His first approach to sculpture dates back to 1991 with his earliest stone, wood and plaster artefacts. In 1993, on the occasion of an international workshop in Berlin, he learned methods for manufacturing sheet paper. It was a crucial experience that brought him in 1995 to choose paper as the most suitable material for his research and his own language. He then experiments with the production of handmade paper and from 1997 makes his first sculptures with different types of paper material.
In this period he meets the publisher Vanni Scheiwiller, who entrusts him with the extraordinary production of handmade sheets of paper for the graphic underlay of the art book in 300 copies: Trittico, tre poesie di Wislawa Szymborska, tre collage di Alina Kalczynska.
His continuous investigation into matter and his experimentation on new materials similar to paper and proposed for their structural and tactile potential lead him to continuous interconnections from sculpture to design, to installations and sets for fairs and international exhibitions. The exhibited objects, mostly limited editions and single pieces, dialogue with the whole experience of contemporary design.
For Flux Laboratory of Geneva, a foundation for art, dance and experimental disciplines, he produces, in his solo exhibitions of 2011, Le Gèant de Papier, projections de la matière, four installations that interact with the dance performances created for this particular purpose.
His works are in private and public collections in Italy and abroad, as well as in specific publications of Paper Art.
http://www.danielepapuli.net/
( Read more... )
After graduating in Sculpture at the Accademia di Belle Arti di Brera, he settled in Milan where he still works. His first approach to sculpture dates back to 1991 with his earliest stone, wood and plaster artefacts. In 1993, on the occasion of an international workshop in Berlin, he learned methods for manufacturing sheet paper. It was a crucial experience that brought him in 1995 to choose paper as the most suitable material for his research and his own language. He then experiments with the production of handmade paper and from 1997 makes his first sculptures with different types of paper material.
In this period he meets the publisher Vanni Scheiwiller, who entrusts him with the extraordinary production of handmade sheets of paper for the graphic underlay of the art book in 300 copies: Trittico, tre poesie di Wislawa Szymborska, tre collage di Alina Kalczynska.
His continuous investigation into matter and his experimentation on new materials similar to paper and proposed for their structural and tactile potential lead him to continuous interconnections from sculpture to design, to installations and sets for fairs and international exhibitions. The exhibited objects, mostly limited editions and single pieces, dialogue with the whole experience of contemporary design.
For Flux Laboratory of Geneva, a foundation for art, dance and experimental disciplines, he produces, in his solo exhibitions of 2011, Le Gèant de Papier, projections de la matière, four installations that interact with the dance performances created for this particular purpose.
His works are in private and public collections in Italy and abroad, as well as in specific publications of Paper Art.
http://www.danielepapuli.net/
( Read more... )